There’s just one problem…the problem is, there’s a problem in your script but you can’t put your finger on what the problem is. It’s problematic. To say the least.
What can you do?
There are three things I generally do in order to get my script in a more workable condition. They are:
1. Have it read out loud. This really helps me to hear the voices, illuminates trouble spots, and gives me a sense of the “flow” of the piece. If the readers get stuck, I’ll hear for myself what the issue is, note it, and fix it after the read.
2. Have a friend read it. This friend does not have to be a screenwriter. In fact, one of my best readers is a future electrician! She doesn’t give me formatting or other technical notes; she sticks only to the plot. And if it doesn’t work for her, she’s not at all hesitant to tell me what went wrong for her. Very valuable feedback, indeed.
Take six weeks, or six months (six years might be too long!) and put it aside. Work on your next script, or give yourself a much-earned break. Your script will be there for you when you get back to it with fresh eyes.
If you do one of these (or all three) I can (almost) guarantee that you will be able to better evaluate your work and address problem areas. If you’re stuck, give one a try!